Crumplepop SplitScreen Pro an endless variation of split screens

FxFactory sells Crumplepop’s SplitScreen Pro, a Final Cut Pro X and Premiere Pro plug-in that enables split screen effects without the headaches. After having installed SplitScreen Pro in my Final Cut Pro X effects collection, it became clear Crumplepop’s split screen generator makes complex effects really simple.


Offloading app Hedge 18.1 adds more flexibility, remains simple and speedy

Hedge for Mac/Windows, the fast offloading app, has been updated – or rather, upgraded – to version 18.1. Hedge now offers Fast Lane on Windows machines as well, but far more interesting fro anyone using Macs instead, is the ability of Hedge to offload anything to anything. It’s what the company calls a car wash concept.

CalDigit TS3 Plus Thunderbolt 3 Station Review

All-in-one computers like the iMac – even the iMac Pro – rarely have enough ports to satisfy our needs. CalDigit’s small-footprint, cast-aluminium Thunderbolt Station 3 Plus is – what we usually call – a dock that adds a whopping 15 ports to any Thunderbolt 3 machine. The options go beyond the conventional, expanding connectivity as well as charge laptops.

Crucial’s MX500 is fastest ever SSD

The newest SSD Crucial recently released has Micron's new 64-layer NAND memory and is the first high-speed SSD to leave the factory since the Lexar brand was sold. The MX500, as it’s called, is in some tests the fastest SSD currently available. It’s so fast that it suffers from the performance limitations of its form factor, which is a 2.5in SATA disk.

Rotolight NEO 2 review

The NEO 2 is Rotolight's disc-shaped, polycarbonate, all-in-one High Speed Sync (HSS) flash and continuous on-camera LED light. Unlike traditional on-camera flash, the NEO 2 has no recycle time. It succeeds well as a continuous light, but using it as a flash requires a different mindset than when you're using traditional flashes.

MotionVFX lens flare plugin mFlare 2 gives spectacular results with user-friendly UI

mflare 2

To create flares in Final Cut Pro X, you can buy a collection of “titles” and by positioning these get more or less what looks like a lens flare. But titles don’t move with the subject causing the flare unless you move them with it, using keyframes. That’s tedious and often not very accurate. In addition, most lens flare offerings don't even come close to the real thing. MotionVFX created mFlare 2, a plugin that uses the Mocha tracker to bind your lens flare to the subject that you want it to move together with. It's also pretty close to a real lens flare if you create an "Organic" one.

Backing up or synchronising files on a Mac? You need ChronoSync 4.8

Here’s a puzzle: you’re shooting video or photos on location, using a CalDigit AV Pro 2. At your workstation you have a RAID system that you normally use for offloading images or video clips shot when in the studio directly. The AV Pro 2 is also used as a secondary offload drive for those studio-shot clips. That introduces a problem: how can you make sure — easily, quickly and simply — that everything on the AV Pro 2 is synchronised with the RAID? The answer can be to change your workflow, buy a new AV Pro 2 that’s going to be used only as secondary offload station, or buy a $50 licence to a software called ChronoSync.

The ultimate colour grading plugin for Final Cut Pro X: CoreMelt Chromatic

Turning Final Cut Pro X into a grading application a la Da Vinci Resolve is what Chromatic, CoreMelt's latest plugin sets out to do. It succeeds pretty well by cramming a lot of functionality into this full-blown colour grading solution. It's the only plugin that delivers the ability to select colour ranges right in the clip viewer, but to appreciate its power to the fullest, a lowly iMac such as mine won’t do.