As UK-based Rycote is the industry-standard specialist in shock & wind protection for field production sound, I took their Softie Duo-Lyre Mount with pistol grip handle to the test with the Deity S-Mic 2. The microphone came with only a basic plastic mount that I suspected to transmit all the vibrations and bumps it could possibly suffer from common, daily usage.
LANDR, a new, cloud-based service is to provide video editors and vloggers who work with Adobe Premiere Pro CC and care about how their content sounds with the means to master audio using an AI-based mastering system.
RX Advanced is iZotope’s flagship audio editor that started out as a sound correction/fixing application. A couple of versions ago, the app became a true editor with the ability to record and edit audio, and to fix, correct and adjust using a sophisticated machine learning algorithm. As with all technology, the app continuously evolves and improves, and the latest version, RX 7 Advanced, is now capable of intelligently identifying vocals, bass, percussion and other instruments in a mix. In addition, RX 7 Advanced now also supports surround sound in addition to mono and stereo.
Arrow, the newest audio interface by Universal Audio has ultra-low latency input monitoring and Digital Signal Processing (DSP) on board. The Arrow is a solo processing interface, meaning it will accept all the Unison and common plug-ins from Universal Audio, but won’t be able to process as many of them as the more expensive models. The Arrow can be had for around €499.
Acoustic room correction is a process that only million-dollar studios can afford, at least that’s what many of us think. And yet, with a growing number of movies and videos playing on devices that have wildly differing sound characteristics, sound accuracy at the source is increasingly important. So, is there a system that costs less but is up to the job, nevertheless?
The already crowded audio interface market welcomes a new competitor with RØDE’s release of its first audio interface for home studio recording. It’s a 24-bit/94kHz capable device inside a gorgeous looking, small, black aluminium housing with one XLR input port, stereo headphones and RCA output ports and two rotary knobs/push buttons for setting input gain, output volume and engaging 48V phantom power and direct monitoring. I received the studio kit, which comes with an NT1 large-diaphragm microphone, a 6-metre XLR-cable, SMR shock mount and USB-C cable. A voucher inside the box lets you download a light version of Ableton’s Live app.
If you are recording audio separately when shooting a documentary, interview or movie, chances are you'll not only have to synchronise it with the footage but also edit your audio to make it sound perfect in post production. The two apps I use for this are the iZotope RX 6 Advanced Audio Editor and the …
A microphone pre-amp is meant to amplify your mic's signal, not to introduce its own noise and artefacts into the recorded results. You need a mic pre because your microphone has a signal that's too weak to be captured by a recorder. A preamplifier boosts the signal to a standard line level, which all recorders …
What’s in a cable? If you believe the audiophile, there’s an awful lot going on in an audio cable. Audiophiles are happy to shell out well over €1000 for an RCA interconnect. They claim to hear a difference with any lead that’s cheaper. But none of these chaps has ever succeeded to pick the expensive cable out of a bunch of cheap ones without knowing which is which.
One of the best audiophile players for the Mac is Audirvana Plus. Many, myself included, would say it is the best — period. Audirvana Plus 3 is the newest version of this audiophile software and it is the first to include the ability to play MQA encoded files. But whether you’ll hear a difference is an entirely different matter, as is the question whose interests MQA is set to serve.