Mixing and mastering audio for film, video or broadcast differs a bit from mastering for music. The media to master for will be different, as will the requirements of the industry. A UK developer, NUGEN Audio, creates professional audio tools for high-end music producers, post-production engineers and broadcasters. Among its partners we find Avid and Quantel. NUGEN Audio offers post-production mixing and mastering with a Post Pack that holds eight modules of which some can be used as stand-alone applications.
Audio Hijack Pro was Rogue Amoeba’s app for capturing sound from applications as well as input devices. It was powerful, scalable and flexible but not very user-friendly. Audio Hijack 3 changes all that. It’s every bit as powerful — if not more — than its predecessor, but also easier to use. In fact, the new building block paradigm used in Audio Hijack 3 will enable you to do more with your audio recordings because it’s incredibly simple to set up complex sessions. Also new in Audio Hijack 3 are templates, full-screen mode, presets, FLAC recording and more.
Iris 2 is a new and improved version of a virtual instrument, a sampler and a synthesizer in one. When iZotope released the first version of Iris, it was a tool with decent capabilities, but a bit limited with regards to flexibility. Iris 2 is exactly the opposite. There’s no limit on what you can do with this application.
Probably for the first time in history, a developer actually removes features from an application in response to user feedback. iZotope did just that with the Ozone 6 mastering solution. The result is a lean, mean mastering machine with looks to kill for and not one feature that gets in your way. Ozone 6 does come with a new module, though: a very effective dynamic equaliser. Ozone 6 can be used as a plug-in to your DAW or sound editor, or as a stand-alone mastering solution.