As UK-based Rycote is the industry-standard specialist in shock & wind protection for field production sound, I took their Softie Duo-Lyre Mount with pistol grip handle to the test with the Deity S-Mic 2. The microphone came with only a basic plastic mount that I suspected to transmit all the vibrations and bumps it could possibly suffer from common, daily usage.
Revoice Pro is used worldwide by audio professionals for adjustment and alignment of vocals, instruments and ADR as well as double track generation. I tested the app using several recordings from audio as well as video sources.
IK Multimedia announced that it has expanded its campus in Modena, Italy with the unveiling of a modern manufacturing and recording facility. The new complex greatly expands the company’s in-house R&D, manufacturing and logistics capabilities. It also adds a state-of-the-art audio recording studio for in-house sound design and sampling.
Youtubers, wedding video shooters, broadcast sound men/women and filmmakers: they all want to record sound with the best possible results. But practicalities such as pricing often stand in the way of reaching this lofty goal. Yet, equipment that exceeds the basic technical requirements – essential to even think about reaching it – is what you’ll need. A microphone is the first and one of the most important links in the chain from the sound you capture to the audio the viewer/listener gets out of their speakers. The results depend on the whole chain, but if you start with a tin can sound because of a low-end mic, you’ll never get to the full and rich sound you’re after.
In the past, we have tested and reviewed an sE Electronics V7 dynamic vocal microphone, an sE2200a large-diaphragm condenser and a RØDE NT1 condenser mic. We found the clarity and flat tone response of the V7 and the NT1 great, but they lack the warmth of the sE2200a. So, after reviewing the Universal Audio DSP-capable Arrow interface, which allows you to use a near-zero-latency Unison plug-in as a preamp that can dramatically change the sound characteristics of the mic you’re using, we wondered if it would be possible to change the sound recorded with the V7 and NT1 in such ways that they would sound more like the sE2200a without losing their own unique qualities. In other words, we wanted to know if you can make your audio sound as if it were recorded with a Universal Audio Unison tube preamp UA 610-B.
Arrow, the newest audio interface by Universal Audio has ultra-low latency input monitoring and Digital Signal Processing (DSP) on board. The Arrow is a solo processing interface, meaning it will accept all the Unison and common plug-ins from Universal Audio, but won’t be able to process as many of them as the more expensive models. The Arrow can be had for around €499.
The already crowded audio interface market welcomes a new competitor with RØDE’s release of its first audio interface for home studio recording. It’s a 24-bit/94kHz capable device inside a gorgeous looking, small, black aluminium housing with one XLR input port, stereo headphones and RCA output ports and two rotary knobs/push buttons for setting input gain, output volume and engaging 48V phantom power and direct monitoring. I received the studio kit, which comes with an NT1 large-diaphragm microphone, a 6-metre XLR-cable, SMR shock mount and USB-C cable. A voucher inside the box lets you download a light version of Ableton’s Live app.
Panasonic BQ-CC65 flagship battery chargerPanasonic sent me their brand new flagship charger for AA and AAA NiMH cells, the BQ-CC65. The new charger is black, has a large LCD screen and several modes to get your batteries in pristine condition. The BQ-CC65 is the best charger to charge and recharge your Eneloop cells. The first …
If you are recording audio separately when shooting a documentary, interview or movie, chances are you'll not only have to synchronise it with the footage but also edit your audio to make it sound perfect in post production. The two apps I use for this are the iZotope RX 6 Advanced Audio Editor and the …
A microphone pre-amp is meant to amplify your mic's signal, not to introduce its own noise and artefacts into the recorded results. You need a mic pre because your microphone has a signal that's too weak to be captured by a recorder. A preamplifier boosts the signal to a standard line level, which all recorders …