OWC’s portable drive, the Envoy Pro, originally came in a USB 3 version, but with the push for ever higher throughput speeds required for 4K, HDR and 8K video shooting and streaming, the company has introduced another, new 300g lightweight Envoy Pro EX that’s been equipped with a captive Thunderbolt 3 cable. The Thunderbolt 3 Envoy Pro EX actually is a series of devices, all equipped with Thunderbolt 3, but split up in the Envoy Pro EX series and the Envoy Pro EX (VE) series, which is even faster and has bigger capacities.
In the past, we have tested and reviewed an sE Electronics V7 dynamic vocal microphone, an sE2200a large-diaphragm condenser and a RØDE NT1 condenser mic. We found the clarity and flat tone response of the V7 and the NT1 great, but they lack the warmth of the sE2200a. So, after reviewing the Universal Audio DSP-capable Arrow interface, which allows you to use a near-zero-latency Unison plug-in as a preamp that can dramatically change the sound characteristics of the mic you’re using, we wondered if it would be possible to change the sound recorded with the V7 and NT1 in such ways that they would sound more like the sE2200a without losing their own unique qualities. In other words, we wanted to know if you can make your audio sound as if it were recorded with a Universal Audio Unison tube preamp UA 610-B.
Arrow, the newest audio interface by Universal Audio has ultra-low latency input monitoring and Digital Signal Processing (DSP) on board. The Arrow is a solo processing interface, meaning it will accept all the Unison and common plug-ins from Universal Audio, but won’t be able to process as many of them as the more expensive models. The Arrow can be had for around €499.
Acoustic room correction is a process that only million-dollar studios can afford, at least that’s what many of us think. And yet, with a growing number of movies and videos playing on devices that have wildly differing sound characteristics, sound accuracy at the source is increasingly important. So, is there a system that costs less but is up to the job, nevertheless?
O8N2 Review Rare is the musical piece or movie soundtrack that is made up of one track, requiring no mixing or mastering after recording. Hence, the mixing and mastering processes are not something that you can do as an aside. iZotope has a long history of developing mixing and mastering apps that allow a master …
IK Multimedia's Syntronik is a virtual synthesiser that allows you to tap into 17 famous synthesisers, including several models by Roland and Moog. Syntronik uses advanced sampling techniques combined with a new hybrid sample and modelling synthesis engine. Add to that a new analogue modelled filter section, a very user-friendly arpeggiator and the option of having four instrument layers, each occupying their own zone of your keyboard. With over 2,000 preset sounds covering a wide selection from 38 of the most iconic and painstakingly multi-sampled vintage synthesisers and you know that Syntronik is a music 'system' that you simply must have.
The iRig Pro I/O is the successor of the iRig Pro. It’s slightly bigger but offers higher specs and more professional capabilities, including headphones monitoring and a dedicated power supply that charges your iPad while recording.
When Magix Audio took over Sound Forge Pro Mac from Sony, the application was in need of an update at the very least. With macOS Sierra, Sound Forge Pro didn’t work all that well anymore. In addition, it became clear the app was in desperate need of some new features. Magix Audio’s first upgrade of the sound editor meets the most urgent needs and then some.
iZotope’s RX audio editor was upgraded and released last week. It repairs, restores and enhances audio and is frequently used to fix sub-par audio in post-production. With nine new features included, version 6 is the biggest RX upgrade ever.
Reason has always been about making music and innovative audio tools. With the new version, it becomes easier to create a masterpiece, even if you’ve never learned to read a note. Reason 9 has Players, easier access to editing modes and the ability to edit audio pitch. It comes with the popular Pulsar dual channel LFO — previously only available as a Rack Extension. It has more than 1000 new patches in the Reason Sounds library, including several new ones from sound designers.