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Audio

Sound Devices MixPre-3 II offers 32-bit float recording, -130dB noise floor and more

Sound Devices’ MixPre-3 II is a 32-bits floating-point 192KHz capable mixer-recorder that uses Sound Devices’ perfectly silent Kashmir microphone pre-amplifiers. The unit has faster, more advanced hardware, supports internal LTC Timecode generation and output and has adjustable limiters.

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Audio

The Deity S-Mic 2S is the indoors shotgun mic for pros and Youtubers

Deity’s S-Mic 2S is a new shotgun microphone with a short interference tube that has the same look and build quality as the larger S-Mic 2. It’s also made of brass, keeping out RF interference, but it’s smaller and much less heavy. The S-Mic 2S (the “S” stands for “Short” or “Small”) is about half […]

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Audio

Violinist, composer and producer Daniel Weltlinger is now using a DPA Microphones d:vote CORE 4099 instrument microphone

Daniel Weltlinger – born in Sydney but based in Berlin – composes and plays Gypsy-swing, jazz, Yiddish-klezmer and experimental/free-improvised music. He has long been a fan of DPA’s d:vote 4099 Instrument Microphones, but when one of the two he owns was recently damaged during a live show, he decided it was time to upgrade.

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Audio Pentacles

How to make a 300 EUR S-Mic 2 sound like a 1800 EUR microphone

Many professionals use the d:dicate series microphones because of their accuracy and their silky smooth sound quality. This characteristic is hard to describe but very discernible when you hear it – certainly when you compare recordings done with an MKH 416, an S-Mic 2 and the d:dicate 4017.

Because the price of the d:dicate 4017 is way out of my league, I thought it would be nice to try make the cheapest of the three, the S-Mic 2, closer to the 4017 in post-production, for example by adjusting the EQ.

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Audio Editor's Choice 2019

The DPA Microphones d:dicate 4017 and 4018 shotgun and supercardioid mics Review

When I mention a shotgun microphone many of you will spontaneously think of a Sennheiser MKH 416 or perhaps a Schoeps CMIT 5. But if you’re really into quality and flexibility, a DPA Microphones d:dicate 4017 or – for smaller spaces and other recording types – a d:dicate 4018 could be a much better fit.

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Musings

Microphone cables, why they matter

Which is better, a microphone cable that costs €15 for 10m or one that costs five times as much? And if it’s the latter, then the next question is: will you actually hear a difference?

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Audio Reviews

Total noise cancellation: the Modular Rycote Windshield Kit and the new PCS-Boom Connector

The Modular Windshield Kit Rycote sent me won the 2000 Technical Achievement Award from the Academy of Motion Picture Arts & Sciences. In the 18 years since then, the family-run business hasn’t stopped inventing new products that set the industry standard. The PCS-Boom Connector is the latest example of how Rycote address the problem of […]

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Audio Editor's Choice 2019 Reviews

The Rycote USM Kit is a godsend for studio mics

With studio condenser microphones like my favourite sE2200A usually come nice shock mounts. The only problem is that these are heavy and wear out quickly because the shock absorbers are elastic rubber bands. When I saw how well Rycote’s Softie Duo-Lyre Mount with pistol grip handle works with a Deity S-Mic 2 shotgun, I decided to give the company’s InVision Universal Studio Mount Kit a try as well.

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Audio Editor's Choice 2018 Reviews

How well does a Rycote Softie Duo-Lyre Mount with Pistol Grip kill unwanted sound?

As UK-based Rycote is the industry-standard specialist in shock & wind protection for field production sound, I took their Softie Duo-Lyre Mount with pistol grip handle to the test with the Deity S-Mic 2. The microphone came with only a basic plastic mount that I suspected to transmit all the vibrations and bumps it could possibly suffer from common, daily usage.

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Audio Editor's Choice 2019 Reviews

The Deity S-Mic 2, a professional-grade shotgun microphone

Youtubers, wedding video shooters, broadcast sound men/women and filmmakers: they all want to record sound with the best possible results. But practicalities such as pricing often stand in the way of reaching this lofty goal. Yet, equipment that exceeds the basic technical requirements – essential to even think about reaching it – is what you’ll need. A microphone is the first and one of the most important links in the chain from the sound you capture to the audio the viewer/listener gets out of their speakers. The results depend on the whole chain, but if you start with a tin can sound because of a low-end mic, you’ll never get to the full and rich sound you’re after.