A flat but flexible or a coiled HDMI cable for recording to your Atomos Shogun?

You can buy any HDMI cable for video recording to an external monitor/recorder equipped with an HDMI-port and it will do just fine, provided it can handle the HDMI specification you’re shooting with. That is undoubtedly true, but the influence of the quality of assembly and an issue with cable management could make you buy an expensive coiled cable. There’s an alternative that works just as good, though, and it’s much cheaper.

How it went: a Delock HDMI 2.0a cable and recording at 4K/60fps

German manufacturer Delock makes cables, switches, splitters and adapters for all kinds of usages, including video and audio. I was intrigued by their inexpensive ultra-slim HDMI cable that has the same specifications as Atomos’ coiled HDMI 2.0a cables. A month of a lot of trying out this cable with different monitors and recorders later I’m pretty certain this Delock cable is a great cable if you want to record in 4K/60fps.

You need the GoPro Karma Grip for smooth motion video

The GoPro HERO5 is a lovely action camera with its built-in electronic stabilisation, but if you think it’s going to make your footage perfectly smooth, you’re in for a disappointment. No digital stabiliser currently available can make footage look good when the operator has been subjecting the camera to shocks from walking, running or whatever. A real stabiliser is a must-have for those occasions where you can’t keep the camera still. The Karma Grip has been specially designed to stabilise the HERO5.

VideoDenoise lets you reduce noise fast

Noise is a problem, especially with small-sensor cameras. FxFactory has a new noise reduction plug-in for Final Cut Pro X and Premiere Pro from Crumplepop. It claims to beat noise efficiently, using a simple interface. I compared Crumplepop’s VideoDenoise with Red Giant’s Denoiser III and the older Photon Pro plug-in.

How good is your video camera slider at steady slow speeds? One simple way to find out

Rhino Motion mounting on the slider

What good is a video camera slider if it can’t provide rock-solid motion, with no vibrations? And if it does, what can you do about it? By accident I found out there are circumstances the Rhino slider EVO Carbon with its Motion motor creates footage that makes your zoomed-in subject look like a Parkinson patient. This …

The mysteries of bit depth and chroma subsampling

420 vs 422 subsampling

Colour depth or bit depth is either the number of bits used to define the colour of a single pixel in a bitmapped image or video frame buffer, or the number of bits used for each colour component of a single pixel. Chroma subsampling is the practice of encoding images by delivering a lower resolution for chroma (colour) information than for luma (lightness). The two combine into what your footage looks like when it has been freshly recorded.

Experiencing the GoPro HERO4 one year after its release

HERO4 Black

GoPro has rearranged its product range so I thought it might be a good time now to throw their current flagship camera, the HERO4 Black, a long and critical eye. In the wake of this review I’ve also planned a number of tutorials and presentations on this action camera as much has changed since the HERO3+ was unseated as GoPro’s top offering.

How to use your GoPro HERO3+ skilfully and dazzle your audience

HERO4 Black

Your GoPro HERO3/3+/4 Black Action Camera is quite a capable camera. How you make the most of it for any type of movie to look perfect, depends on how you set it up. The secret here is to tap into the best quality the sensor and electronics are capable of. This tutorial is based on my experience with GoPro cameras from the HERO2 to the HERO3+, and takes you through the most important settings and issues.

Using the GoPro 2.7K mode as a virtual zoom

GoPro Hero3 Black Edition 2.7K as zoom: Spatial Transform in FCP X.

GoPro Hero3 cameras are great but they lack a lens that you can focus and zoom as you want. But with the 2.7K capability, there's a trick so you can virtually zoom in on areas of your scene, provided that you work with Final Cut Pro X and your sequence or timeline is no bigger than 1080p.