Codex creates digital production workflow tools for independent films, motion pictures, commercials, and TV productions. Within some 30 days after NAB, it will be shipping ColorSynth, a layered colour grading plug-in the Indie market can afford, and Keys, a control surface priced equally affordable.
To create composites, you need mattes. In Final Cut Pro X, you can create simple mattes out-of-the-box, but for anything more complex than a box or ball shape you really need a bit more power. Lots of power and controls come with Hawaiki Keyer. I reviewed version 3 a while ago and although I’m late in the process – version 4 has been out for some time now – I found version 4 worth the trouble of going through this must-have plug-in all over again.
FxFactory sells Crumplepop’s SplitScreen Pro, a Final Cut Pro X and Premiere Pro plug-in that enables split screen effects without the headaches. After having installed SplitScreen Pro in my Final Cut Pro X effects collection, it became clear Crumplepop’s split screen generator makes complex effects really simple.
OWC’s portable drive, the Envoy Pro, originally came in a USB 3 version, but with the push for ever higher throughput speeds required for 4K, HDR and 8K video shooting and streaming, the company has introduced another, new 300g lightweight Envoy Pro EX that’s been equipped with a captive Thunderbolt 3 cable. The Thunderbolt 3 Envoy Pro EX actually is a series of devices, all equipped with Thunderbolt 3, but split up in the Envoy Pro EX series and the Envoy Pro EX (VE) series, which is even faster and has bigger capacities.
The ThunderBlade V4 is designed to be rugged and dependable, but its major appeal will be its speed. It is truly blazing fast, with speeds up to 2800MB/sec read and 2450MB/sec write performance. When I first saw these specs, my first thought was that this must be the fastest external drive ever built, while my second thought was that this is the perfect drive for video producers and editors who are working with 4K/60fps and 8K footage, AR and VR content.
Turning Final Cut Pro X into a grading application a la Da Vinci Resolve is what Chromatic, CoreMelt's latest plugin sets out to do. It succeeds pretty well by cramming a lot of functionality into this full-blown colour grading solution. It's the only plugin that delivers the ability to select colour ranges right in the clip viewer, but to appreciate its power to the fullest, a lowly iMac such as mine won’t do.
FxFactory released yet another great plug-in, 3D Video Walls. This plug-in contains a whole bunch of titles that you can create illusory 3D video walls with, based on the videoclip underneath it. If you want to have a dynamic backdrop to show these video walls against as well, you can create a compound clip out of the 3D wall and place that clip on top of another one in the Timeline. The effect is brilliant and the controls allow for virtually endless variations.
If you need a clock counting up or down, or you would like to add a graphic to a video that gives some sense of timing or progress, look no further than Time Pop, distributed by FxFactory. It’s a title generator with some free clocks, but when you pay you’ll get a bunch of designs that offer more possibilities and more nicely designed progress “meters”.
Telestream just upgraded its Switch QC app and added a range of new features in the process. Switch Pro 4 adds support for DPP AS-11 MXF metadata, decoding and playback of Teletext captions and more.
Ever wondered how you create the illusion of traveling through a cloud of stars in less than 10 minutes? All you need is a couple of FxFactory plug-ins — Zoetrope’s Flow is one them.