Final Cut Pro X is a great NLE but it lacks one thing: you can’t edit RAW files from BlackMagic Design’s or ARRI’s cameras without first having to transcode them. With Color Finale Transcoder, that problem no longer exists.… Read More Edit BRAW and ARRI RAW files in FCPX with Color Finale Converter
Colour LUTs or Colour Lookup Tables in full are a kind of digital colour filters and there are millions of them out there, paid as well as free. Collecting large numbers of the things may quickly lead to thousands of small files on your system, often without you having a clue as to what they will make your footage look like.… Read More Solving a management nightmare: ColorFinale LUTs
Telemetry Overlay is a new tool for creating telemetry visualisations on action camera and drone videos. It’s a user-friendly tool that focuses on the design and video output, supporting GoPro, DJI, Insta360, Garmin and others.… Read More Telemetry Overlay: total control over gauges and data
Yanobox recently released a brand new procedural modelling plug-in, called Storm. The plug-in that is available via FxFactory works with After Effects, Final Cut Pro X, Apple Motion, and Premiere Pro. The term procedural modelling covers a number of techniques in computer graphics to create 3D models and textures from rules. For example, fractals and generative modelling are both procedural modelling techniques. In the case of Storm, the rules can be configured using parameters. Storm is built around a self-contained rendering engine, has multiple noise generators and supports volumetric and directional colours.… Read More Yanobox Storm: Procedural 3D in a plugin for FCPX and Motion, Premiere Pro and After Effects
FxFactory’s Griddy is an excellent way to create video walls and multi-story projects in Final Cut Pro X in a very simple way with a large number of creative possibilities. Griddy is usable in almost every situation where you’d like to have multiple clips playing at the same time in their own frame.… Read More Create video walls the easy way with Griddy for FCPX
Luca Visual FX Progress Bars v2 is a pack of 20 generators and eight effects, including an object tracker. They provide a wide variety of progress, loading, processing bars and rings as well as gauges and hi-tech motion graphics to overlay over any media. It’s distributed by FxFactory.… Read More FxFactory Progress Bars v2
Color Trix has just released its colour correction and grading plug-in for Final Cut Pro X, Color Finale 2.0.… Read More Color Finale 2 turns FCP X into a colour grading powerhouse
A decade or so later than when I tested a Tangent Wave control module, the Loupedeck CT is here, retailing at half the price, with a touch screen, a wheel, dials and buttons, and the promise of usability with multiple applications.… Read More A new control surface for image-editing video post-production and more: the Loupedeck CT
Your average NLE’s built-in glow effects are a bit skinny. Taking Final Cut Pro X as an example, it’s actually not worth dragging the effect to the timeline. A plug-in like Red Giant’s Universe Glow doesn’t add a glow effect around the underlying footage elements; it’s completely independent and has its own merits and use, but it may not always be what you want. Hawaiki’s Super Glow, on the other hand, is a glow effect that “just” adds glow to underlying footage and does so with six “glow sources”. It offers complete control and the result can be simple but also complex.… Read More Make video elements really glow with Hawaiki Super Glow
Universe, Red Giant Software’s subscription-based plug-in for Adobe After Effects and seven other NLEs and compositing apps, has been updated to version 3.1 and incorporates some interesting new modules.… Read More Is Red Giant Universe 3.1 a Yanobox Nodes 3 competitor?
