It’s been a while since I reviewed Alien Skin’s Exposure app, so I took it upon me to give Exposure X4 a good look and what I found was an app that combines strong MAM features with an attractive feature set for adjusting and creatively editing images.
Codex creates digital production workflow tools for independent films, motion pictures, commercials, and TV productions. Within some 30 days after NAB, it will be shipping ColorSynth, a layered colour grading plug-in the Indie market can afford, and Keys, a control surface priced equally affordable.
To create flares in Final Cut Pro X, you can buy a collection of “titles” and by positioning these get more or less what looks like a lens flare. But titles don’t move with the subject causing the flare unless you move them with it, using keyframes. That’s tedious and often not very accurate. In addition, most lens flare offerings don't even come close to the real thing. MotionVFX created mFlare 2, a plugin that uses the Mocha tracker to bind your lens flare to the subject that you want it to move together with. It's also pretty close to a real lens flare if you create an "Organic" one.
I wasn't yet tired of working with Macphun's Aurora HDR 2017 or the company announced its newest version, Aurora HDR 2018. It must be said, the new version looks better than the previous one, but the main reason why you would consider upgrading is that tone mapping has become more realistic, thanks to a new and improved algorithm.
FxFactory released yet another great plug-in, 3D Video Walls. This plug-in contains a whole bunch of titles that you can create illusory 3D video walls with, based on the videoclip underneath it. If you want to have a dynamic backdrop to show these video walls against as well, you can create a compound clip out of the 3D wall and place that clip on top of another one in the Timeline. The effect is brilliant and the controls allow for virtually endless variations.
IK Multimedia's Syntronik is a virtual synthesiser that allows you to tap into 17 famous synthesisers, including several models by Roland and Moog. Syntronik uses advanced sampling techniques combined with a new hybrid sample and modelling synthesis engine. Add to that a new analogue modelled filter section, a very user-friendly arpeggiator and the option of having four instrument layers, each occupying their own zone of your keyboard. With over 2,000 preset sounds covering a wide selection from 38 of the most iconic and painstakingly multi-sampled vintage synthesisers and you know that Syntronik is a music 'system' that you simply must have.
If you need a clock counting up or down, or you would like to add a graphic to a video that gives some sense of timing or progress, look no further than Time Pop, distributed by FxFactory. It’s a title generator with some free clocks, but when you pay you’ll get a bunch of designs that offer more possibilities and more nicely designed progress “meters”.
Ever wondered how you create the illusion of traveling through a cloud of stars in less than 10 minutes? All you need is a couple of FxFactory plug-ins — Zoetrope’s Flow is one them.
Noise is a problem, especially with small-sensor cameras. FxFactory has a new noise reduction plug-in for Final Cut Pro X and Premiere Pro from Crumplepop. It claims to beat noise efficiently, using a simple interface. I compared Crumplepop’s VideoDenoise with Red Giant’s Denoiser III and the older Photon Pro plug-in.
You could be forgiven to think TitleMations is a title generator that lets you automate title creation for your footage, but then you’d be doing this new FxFactory plug-in injustice. If you’re creating a commercial for a luxury car, TitleMations 2 will play nice with the message you’re trying to get across.