Your average NLE’s built-in glow effects are a bit skinny. Taking Final Cut Pro X as an example, it’s actually not worth dragging the effect to the timeline. A plug-in like Red Giant’s Universe Glow doesn’t add a glow effect around the underlying footage elements; it’s completely independent and has its own merits and use, but it may not always be what you want. Hawaiki’s Super Glow, on the other hand, is a glow effect that “just” adds glow to underlying footage and does so with six “glow sources”. It offers complete control and the result can be simple but also complex.
If your video is a movie or a documentary on nature, you’ll probably never need to display titles or information snippets, but if you’re a vlogger or someone who creates video for TV programs — e.g. business presentations, urban reporting, human interest, etc. — it’s often a good idea to show information in textual form and for that we most often we use lower thirds or title plug-ins. Most such titles offer very limited space for text and if they do, they look boring and static. StupidRaisins’ Paragraph Pop takes care of all that.
Luminar 4 is Skylum’s most AI-driven app until now. It has a plethora of features that no longer depend on your masking or layer blending skills without – much to my surprise – taking out the creativity completely. What Luminar 4 does help you with, is to automate the work that requires you to painstakingly draw selections and blend layers to correct luminosity errors.
Unless you live in a country where art is subsidised in one form or another, your path to profitability as an artist is going to be relatively steep. It will be easier going if you have a degree, earned very high marks and want to work in one of the industries or areas where you can find a position as an employee.
Universe, Red Giant Software’s subscription-based plug-in for Adobe After Effects and seven other NLEs and compositing apps, has been updated to version 3.1 and incorporates some interesting new modules.
Ripple Tools Complete for Final Cut Pro X promises to give you a full set of effects, most of them based on the title concept of FCP X of which many are trackable. Many effects that you can buy in one plug-in are either so simple you can create them faster using Final Cut Pro X’s built-in tools or so cheesy it hurts your eyes. I’m happy to say neither is the case with Ripple Tools Complete.
Serif, the developers of Affinity Photo and Designer, last week released their much-anticipated publishing app, Affinity Publisher. The new layout design app comes with a good deal of unique and very clever features, including “StudioLink”, an integration system – that re-defines the adjective “seamless” – between Publisher and their Designer and Photo apps.
I remember buying my first and last Power Mac Pro many years ago. It looked gorgeous, it was blazingly fast and I used it for about eight years. Keep in mind that last figure as I take you on a city trip to the price level of the new Mac Pro and Pro Display XDR.
AI is creeping in on us and photography is one of its favourite applications. Landscape Pro 3 promises to enhance your images with AI, seemingly taking all the creativity and work out of image editing, but looks deceive.
Creating 3D titles in Final Cut Pro X and Motion is relatively easy, but creating complete 3D scenes is virtually impossible. Motion isn’t After Effects, but with Reelpath’s Eneo3D plug-in it comes very close to offering a one-stop solution to all your compositing needs.