RGB, CMYK and Golden Artists Colors’ acrylic paint

You probably know about colour management and when you know about colour management, you must know about the difference between CMYK and RGB, and what each is used for. Well, in painting with pigments, it’s not that clear-cut and that has everything to do with colour theory.… Read More RGB, CMYK and Golden Artists Colors’ acrylic paint

The LIGHTBRIDGE Cine Reflect Lighting System, for photographers too

If you’ve ever had to lighten a scene and couldn’t do it properly without lugging around back breaking numbers of flags and other devices to stop the light from spreading and spilling, you should take a look at the LIGHTBRIDGE CRLS (Cine Reflect Lighting System), a lighting system based on lightweight aluminium reflectors that don’t spill. CRLS is used in cinematography but begs to be discovered by photographers.… Read More The LIGHTBRIDGE Cine Reflect Lighting System, for photographers too

Amaran 100x review

Aputure’s Amaran 100x is a video and photography COB LED lamp that delivers 2470 lux at 2700K and 3400 lux at 6500K and a 1m distance without the Hyper Reflector and has a colour temperature range of 2700-6500K. It’s the colour temperature customisable sibling of the Amaran 100d with the same form factor and the same affordable price. I tested the lamp under several circumstances.… Read More Amaran 100x review

Colour temperature: mireds versus Kelvin

The mired is a unit that measures colour temperature, just like Kelvin does. Only, almost everybody knows degrees Kelvin while fewer people know what the mired stands for. That’s not surprising, given that most light and strobe colour temperatures are expressed in Kelvin. So why use mired instead then — and perhaps more importantly — when do you use the mired unit instead of Kelvin?… Read More Colour temperature: mireds versus Kelvin

Review: Aputure Accent B7c cinema grade light bulb

Aputure recently released the Accent B7c, a mains power and battery operated 7W RGBWW colour-mixing LED light bulb. It’s the first product in the new Accent family of LED lights built for filmmakers. The B7c features a standard E26/27 fixture but unlike typical household LED bulbs, the lamp uses cinema grade LEDs to reproduce skin tones with CRI and TLCI values of 95+ and a tungsten SSI score of 85.… Read More Review: Aputure Accent B7c cinema grade light bulb

Nix Color Sensor Pro 2 Tristimulus Colorimeter Review

If you’re professionally working with colour, it pays off to invest in a colorimeter or spectrophotometer. The only problem is that these can be quite expensive and bulky, and if your need is to compare colours, find colour harmonies and the RGB, Lab, CMYK and other colour space value of colours, this kind of equipment is overkill. It is where the $349 Nix Color Sensor Pro 2 tristimulus sensor is a boon to have.… Read More Nix Color Sensor Pro 2 Tristimulus Colorimeter Review

X-Rite i1Pro version 3 is faster, more accurate than its predecessors

The redesigned i1Pro 3 spectrophotometer is more accurate and reliable as well as two times faster than its predecessor. The i1Pro 3 is meant to be used by professionals who require accurate color from their printer, display, and projector. The i1Photo Pro 3 set allows photographers to quickly and easily create custom camera, monitor, projector, scanner, and RGB printer profiles.… Read More X-Rite i1Pro version 3 is faster, more accurate than its predecessors

Aputure Amaran AL-MX videolamps throw impressive light, accurate colour

The size of a pack of cigarettes but a lot heavier; that was the first thought that came up my mind when I first got the Amaran AL-MX in my hands. Aputure’s smallest on-camera LED light throws 2400 lux at a distance of 30cm, 880 lux at 50cm and 200 lux at 1m, according to the specs. It does all this with a CRI/TLCI of well over 95 and colour temperatures of between 2800K and 6500K.… Read More Aputure Amaran AL-MX videolamps throw impressive light, accurate colour