A new control surface for image-editing video post-production and more: the Loupedeck CT

A decade or so later than when I tested a Tangent Wave control module, the Loupedeck CT is here, retailing at half the price, with a touch screen, a wheel, dials and buttons, and the promise of usability with multiple applications.… Read More A new control surface for image-editing video post-production and more: the Loupedeck CT

Luminar 4’s AI assistance is actually quite good

Luminar 4 is Skylum’s most AI-driven app until now. It has a plethora of features that no longer depend on your masking or layer blending skills without – much to my surprise – taking out the creativity completely. What Luminar 4 does help you with, is to automate the work that requires you to painstakingly draw selections and blend layers to correct luminosity errors.… Read More Luminar 4’s AI assistance is actually quite good

DxO releases Photolabs 3 with unique colour manipulation wheel

DxO released its third upgrade of Photolabs, the former Optics Pro. The new version has a new repair and clone tool, a new local adjustments mask manager and a new colour wheel. And finally, after so many years, the metadata module has been updated as well, albeit with a very modest support for a keywords, author name and copyright field.… Read More DxO releases Photolabs 3 with unique colour manipulation wheel

Cinema Grade, a dramatically new way of colour grading footage or a huge marketing bubble?

Denver Riddle is a colour grading expert who first developed Color Finale for Final Cut Pro X. His company now comes forward with a next-generation colour grading app and plug-in for Final Cut Pro X, Premiere Pro, and Da Vinci Resolve via the OFX plug-in, Cinema Grade. The new plug-in is a radical step away from traditional colour grading where the artist either needs to control the adjustments via on-screen wheels and sliders or through an expensive control surface. With Cinema Grade, on the other hand, you just mouse-drag colour adjustments in the frame, although you can still control everything by numbers if you want to.… Read More Cinema Grade, a dramatically new way of colour grading footage or a huge marketing bubble?

Codex introduces ColorSynth and the Keys control surface, an entirely new colour grading system

Codex creates digital production workflow tools for independent films, motion pictures, commercials, and TV productions. Within some 30 days after NAB, it will be shipping ColorSynth, a layered colour grading plug-in the Indie market can afford, and Keys, a control surface priced equally affordable.… Read More Codex introduces ColorSynth and the Keys control surface, an entirely new colour grading system

The ultimate colour grading plugin for Final Cut Pro X: CoreMelt Chromatic

Turning Final Cut Pro X into a grading application a la Da Vinci Resolve is what Chromatic, CoreMelt’s latest plugin sets out to do. It succeeds pretty well by cramming a lot of functionality into this full-blown colour grading solution. It’s the only plugin that delivers the ability to select colour ranges right in the clip viewer, but to appreciate its power to the fullest, a lowly iMac such as mine won’t do.… Read More The ultimate colour grading plugin for Final Cut Pro X: CoreMelt Chromatic