Luminar 2018: Lightroom beware!

Luminar 2018 has new correction filters powered by artificial intelligence, it's faster than the previous version, it has a dedicated RAW development module and in 2018 Macphun (soon to be renamed to Skylum Software) plans to release a full-blown digital asset management (DAM) platform. Of course, there are also new features, such as the intelligent …

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DxO releases DxO PhotoLab, the new DxO Optics Pro

DxO Photolab with U Point

DxO, the well known French developer of DxO Optics Pro and the force behind DxOMark, plans to continue development of the Nik Collection, with the current version to remain available for free on DxO’s dedicated website, while a new version is planned for mid-2018. The first results of the acquisition are the inclusion of Nik’s U Point local adjustments solution, in addition to a new Repair tool and improved DxO Lens Sharpness technology. As a result, DxO Optics Pro also gets a new name — DxO PhotoLab — and is expected to be setting a new standard in RAW processing for pro and enthusiast photographers.

The ultimate colour grading plugin for Final Cut Pro X: CoreMelt Chromatic

Turning Final Cut Pro X into a grading application a la Da Vinci Resolve is what Chromatic, CoreMelt's latest plugin sets out to do. It succeeds pretty well by cramming a lot of functionality into this full-blown colour grading solution. It's the only plugin that delivers the ability to select colour ranges right in the clip viewer, but to appreciate its power to the fullest, a lowly iMac such as mine won’t do.

X-Rite i1Photo Pro 2 calibrates your Mac, PC, tablet, scanner and RGB printer

Most users in the creative industry know they should regularly calibrate and profile their monitor for colour-critical work, but there’s more to colour accuracy than keeping your monitor in shape colour-wise. If you’re going to be printing or projecting your photos, art or videos, you’d better calibrate the output equipment as well. In fact, if you want to be absolutely certain colours will be accurately rendered from input to output, you will need to calibrate — or at least profile — cameras, scanners, monitors, printers and projectors. There’s only one affordable option that is accurate enough: the Red Dot Award winning X-Rite i1Pro 2 and I had the chance to test the Photo version.

basICColor print 5: automated, high-end profiling

In addition to new profiling algorithms, basICColor’s professional profiling software basICColor print now also directly connects to basICColor catch, the measuring software. In addition, it automatically corrects measurement data, lets you load custom illuminants for spectral profiling and delivers new gamut mapping strategies for perceptual rendering intent.

Professional colour grading in FCPX with Color Finale Pro

Not every colourist wants to use a separate application to quickly but professionally colour grade his footage. Why should they if you can colour grade right from within Final Cut Pro X? With Color Finale Pro, the standards are high and the level of professionalism you can attain, competes with dedicated colour grading software.

Professional colour grading in Final Cut Pro X with Color Finale Pro

Not every colourist wants to use a separate application to quickly but professionally colour grade his footage. Why should they if you can colour grade right from within Final Cut Pro X? With Color Finale Pro, the standards are high and the level of professionalism you can attain, competes with dedicated colour grading software.

More than just a LUT loader for Final Cut Pro X: LUTx

lut plugin for Final Cut Pro X lutx

There are quite some LUT utilities for Final Cut Pro X, but Roger Bolton from Coremelt succeeded in developing a plug-in that gives you more than just a LUT loading mechanism. LUTx delivers a LUT browser, various fine-tuning features, masking capabilities and, for the Look LUT effect, the unique ability to apply your LUT to a specific luma range. The LUTx plug-in has four effects in all.