The developer of the Pro Color Monitor app has found a new use for false colour. He is correcting colour casts of footage and photos using whatever white there is in the shot, based on a false colour overlay frame that floats above your NLE or image editor.
Color Trix has just released its colour correction and grading plug-in for Final Cut Pro X, Color Finale 2.0.
A decade or so later than when I tested a Tangent Wave control module, the Loupedeck CT is here, retailing at half the price, with a touch screen, a wheel, dials and buttons, and the promise of usability with multiple applications.
Luminar 4 is Skylum’s most AI-driven app until now. It has a plethora of features that no longer depend on your masking or layer blending skills without – much to my surprise – taking out the creativity completely. What Luminar 4 does help you with, is to automate the work that requires you to painstakingly draw selections and blend layers to correct luminosity errors.
DxO released its third upgrade of Photolabs, the former Optics Pro. The new version has a new repair and clone tool, a new local adjustments mask manager and a new colour wheel. And finally, after so many years, the metadata module has been updated as well, albeit with a very modest support for a keywords, author name and copyright field.
Exposure X5 is the newest release of the RAW editor developed by Exposure Software (formerly Alien Skin). Exposure X5 can be used as stand-alone app or plug-in to Photoshop or Lightroom. I don’t have either of these on my system, so I tried Exposure X5 as a stand-alone only.
RGB and CMYK are two colour modes that differ considerably in their approach towards colour reproduction. I explain how they differ and when you best use one or the other in this downloadable PDF.
Ripple Tools Complete for Final Cut Pro X promises to give you a full set of effects, most of them based on the title concept of FCP X of which many are trackable. Many effects that you can buy in one plug-in are either so simple you can create them faster using Final Cut Pro X’s built-in tools or so cheesy it hurts your eyes. I’m happy to say neither is the case with Ripple Tools Complete.
Lumu released its new generation of Lightning-connected iOS light meter sensors just in time for Christmas. The original Lumu Power has proven to be a very accurate light meter sensor but is too slow to measure the colour temperature of a strobe or speedlight. The new Lumu Pro is fast enough.
Denver Riddle is a colour grading expert who first developed Color Finale for Final Cut Pro X. His company now comes forward with a next-generation colour grading app and plug-in for Final Cut Pro X, Premiere Pro, and Da Vinci Resolve via the OFX plug-in, Cinema Grade. The new plug-in is a radical step away from traditional colour grading where the artist either needs to control the adjustments via on-screen wheels and sliders or through an expensive control surface. With Cinema Grade, on the other hand, you just mouse-drag colour adjustments in the frame, although you can still control everything by numbers if you want to.