How well does a Rycote Softie Duo-Lyre Mount with Pistol Grip kill unwanted sound?

As UK-based Rycote is the industry-standard specialist in shock & wind protection for field production sound, I took their Softie Duo-Lyre Mount with pistol grip handle to the test with the Deity S-Mic 2. The microphone came with only a basic plastic mount that I suspected to transmit all the vibrations and bumps it could possibly suffer from common, daily usage.

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iZotope RX 7 Advanced, an alternative for ADR

RX Advanced is iZotope’s flagship audio editor that started out as a sound correction/fixing application. A couple of versions ago, the app became a true editor with the ability to record and edit audio, and to fix, correct and adjust using a sophisticated machine learning algorithm. As with all technology, the app continuously evolves and improves, and the latest version, RX 7 Advanced, is now capable of intelligently identifying vocals, bass, percussion and other instruments in a mix. In addition, RX 7 Advanced now also supports surround sound in addition to mono and stereo.

iZotope VocalSynth 2 review

iZotope’s VocalSynth is a plug-in that helps you improve vocal productions, but you can just as well use it to get Dr. Who’s Daleks sound a bit more human. Of course, you can also use it to create a signature sound like Cher’s and in tandem with the Neutron plug-in’s Visual Mixer, you can create sounds that are truly unique.

OWC’s blazingly fast portable drive for pros, the Envoy Pro EX VE

OWC’s portable drive, the Envoy Pro, originally came in a USB 3 version, but with the push for ever higher throughput speeds required for 4K, HDR and 8K video shooting and streaming, the company has introduced another, new 300g lightweight Envoy Pro EX that’s been equipped with a captive Thunderbolt 3 cable. The Thunderbolt 3 Envoy Pro EX actually is a series of devices, all equipped with Thunderbolt 3, but split up in the Envoy Pro EX series and the Envoy Pro EX (VE) series, which is even faster and has bigger capacities.

Three ways to change the sound characteristics of your microphone without a DSP-capable audio interface

In the past, we have tested and reviewed an sE Electronics V7 dynamic vocal microphone, an sE2200a large-diaphragm condenser and a RØDE NT1 condenser mic. We found the clarity and flat tone response of the V7 and the NT1 great, but they lack the warmth of the sE2200a. So, after reviewing the Universal Audio DSP-capable Arrow interface, which allows you to use a near-zero-latency Unison plug-in as a preamp that can dramatically change the sound characteristics of the mic you’re using, we wondered if it would be possible to change the sound recorded with the V7 and NT1 in such ways that they would sound more like the sE2200a without losing their own unique qualities. In other words, we wanted to know if you can make your audio sound as if it were recorded with a Universal Audio Unison tube preamp UA 610-B.