LifeFlix is a 64-bit macOS app that allows you to import MiniDV, HDV, Digital8 (D8), Hi-8 and Video8 tapes. It’s designed to be used by anyone without compromising quality and without a learning curve.
Currently available for Final Cut Pro X, ColorSynth is an elaborate pre-wired network of colour processing nodes. The colour grading tool which is based on Final Cut Pro X’s Effect and Title Generator paradigm has more than 60 items arranged in an 8-layer stack with several sublayers. ColorSynth is touted as having all the features and the power of Da Vinci Resolve and FilmLight’s Baselight while the interface should be simpler than the one that comes with those tools.
A light meter is an essential tool for serious photographers and filmmakers. The most useful ones not only measure the level of light and translate it into an f-stop, exposure time or ISO value, but also tell you colour characteristics. They will also measure the bursts of light emitted by a strobe or a speed-light. Light meter apps that integrate with a hardware add-on for your iOS or Android device are potentially as accurate as the most expensive light meters and just as flexible and feature-complete. In this category, about a year ago, the Lumu Power was released and it did not disappoint. Now, only a month or so ago, Illuminati Instruments released its Illuminati Light Meter and that one is a real winner.
Media Asset Management application KeyFlow Pro 2 has been released. It has several new features, such as the capability to import transcript files as notes into Annotations, manual database backup and synchronisation support, and the ability to recreate a preview video with different resolutions and bitrates.
Codex creates digital production workflow tools for independent films, motion pictures, commercials, and TV productions. Within some 30 days after NAB, it will be shipping ColorSynth, a layered colour grading plug-in the Indie market can afford, and Keys, a control surface priced equally affordable.
To create composites, you need mattes. In Final Cut Pro X, you can create simple mattes out-of-the-box, but for anything more complex than a box or ball shape you really need a bit more power. Lots of power and controls come with Hawaiki Keyer. I reviewed version 3 a while ago and although I’m late in the process – version 4 has been out for some time now – I found version 4 worth the trouble of going through this must-have plug-in all over again.
FxFactory sells Crumplepop’s SplitScreen Pro, a Final Cut Pro X and Premiere Pro plug-in that enables split screen effects without the headaches. After having installed SplitScreen Pro in my Final Cut Pro X effects collection, it became clear Crumplepop’s split screen generator makes complex effects really simple.
OWC’s portable drive, the Envoy Pro, originally came in a USB 3 version, but with the push for ever higher throughput speeds required for 4K, HDR and 8K video shooting and streaming, the company has introduced another, new 300g lightweight Envoy Pro EX that’s been equipped with a captive Thunderbolt 3 cable. The Thunderbolt 3 Envoy Pro EX actually is a series of devices, all equipped with Thunderbolt 3, but split up in the Envoy Pro EX series and the Envoy Pro EX (VE) series, which is even faster and has bigger capacities.
Hedge for Mac/Windows, the fast offloading app, has been updated – or rather, upgraded – to version 18.1. Hedge now offers Fast Lane on Windows machines as well, but far more interesting fro anyone using Macs instead, is the ability of Hedge to offload anything to anything. It’s what the company calls a car wash concept.
Rumour has it that GoPro’s HERO6 isn’t selling well and that’s really a pity because this is a very fine action camera. In fact, I thought the HERO5 was pretty amazing until I saw the results the HERO6 can achieve. It’s the action camera we have been craving for.