Synchronising a GoPro HERO 9 and an audio interface with an iPad and a metronome app

If you shoot video with a camera and an audio recorder without either having a built-in timecode generator and/or genlock feature, you will know what a pain it is, because you always end up with synchronisation problems. The advice usually is that you need to spend your money on a timecode generator and preferably one which also has genlock (that’s the feature that ensures your devices stay in sync). What if you don’t have the money or want to spend it on a couple of Tentacle Syncs or Denecke Syncboxes? Here’s a solution for footage of under 20 minutes long.… Read More Synchronising a GoPro HERO 9 and an audio interface with an iPad and a metronome app

Archiving images, video footage and audio on a Mac: best practices (long read)

There is a difference between a data archive and a backup. Backing up data is a safety measure. You ideally do it every day to safeguard against data loss due to power outages, stupid mistakes, etc. In contrast, archiving is storing your data on external media to save it for history. You can archive for legal reasons, to free up space on your workstation or to make sure you will still be able to recall and reuse what you created/saved today ten or 20 years from now.… Read More Archiving images, video footage and audio on a Mac: best practices (long read)

DxO announces free Webinar Series for April 2020

DxO, one of the most innovative companies in the photography and image editing industry — Photolab being one of my favourite and most powerful editors — will be hosting free webinars throughout the month of April. Simply register to save a seat for one of their many photographic educational webinars and then sit back and enjoy as a number of renowned hosts take you through how to shoot, process and create amazing photographic results.… Read More DxO announces free Webinar Series for April 2020

Noise be gone: two Deity S-Mic 2 shotgun mics

An article from a company that’s active in VoIP, video conferencing, etc and a recording that was ruined because an ambulance and police car drove by made me think about noise cancellation using two microphones instead of complex machine-learning algorithms. Could it be that, if you use two identical microphones with good off-axis rejection, you can achieve better noise reduction?… Read More Noise be gone: two Deity S-Mic 2 shotgun mics

How to avoid audio recorded ex-camera to drift from audio in-camera

If you record audio via an external recorder in order to replace the audio your camera captures, you’ll usually need some sort of a synchronisation tool. The simplest is using a clapper, with the second-best using Red Giant’s PluralEyes. But what if the audio your recorder captures drifts out of sync during recording? Why does that happen and how can you avoid it?… Read More How to avoid audio recorded ex-camera to drift from audio in-camera

7 steps to successful measuring of colour temperature of a speed light with the Illuminati light meter for iOS

The Illuminati light meter (links to review) is a Bluetooth light meter – in fact, it’s the only Bluetooth one on the market so far – that you control through an app on an iPad, iPhone or iPod Touch. The app is also available on Android, but as I only have an iOS device I’m going to… Read More 7 steps to successful measuring of colour temperature of a speed light with the Illuminati light meter for iOS

Three ways to change the sound characteristics of your microphone without a DSP-capable audio interface

In the past, we have tested and reviewed an sE Electronics V7 dynamic vocal microphone, an sE2200a large-diaphragm condenser and a RØDE NT1 condenser mic. We found the clarity and flat tone response of the V7 and the NT1 great, but they lack the warmth of the sE2200a. So, after reviewing the Universal Audio DSP-capable Arrow interface, which allows you to use a near-zero-latency Unison plug-in as a preamp that can dramatically change the sound characteristics of the mic you’re using, we wondered if it would be possible to change the sound recorded with the V7 and NT1 in such ways that they would sound more like the sE2200a without losing their own unique qualities. In other words, we wanted to know if you can make your audio sound as if it were recorded with a Universal Audio Unison tube preamp UA 610-B.… Read More Three ways to change the sound characteristics of your microphone without a DSP-capable audio interface

Workflow to make the audio for your movie sound the best with iZotope RX 6 and Ozone 8

If you are recording audio separately when shooting a documentary, interview or movie, chances are you’ll not only have to synchronise it with the footage but also edit your audio to make it sound perfect in post production. The two apps I use for this are the iZotope RX 6 Advanced Audio Editor and the… Read More Workflow to make the audio for your movie sound the best with iZotope RX 6 and Ozone 8