Profits are migrating away from hardware to software and services. The value offered and delivered by printers, print shops, Facilities Management and Central Reprographic Department environments to their customers will increasingly be based on workflow and process improvements. EFI has developed a solution to make the transition from unit sales to services a painless one …
Agfa's claim on inkjet technology is grossly exaggerated, says Seybold Reports. In view of Agfa’s bold statements in the interview with Jan Van Daele, IT-Enquirer asked Seybold for comments. We also received a statement of Plantin Belgium’s technical specialist. Although you might call Plantin biased — being a Heidelberg distributor and all — the spokesman …
The Ghent PDF Workgroup (GWG) announces availability of the Ghent Output Suite, designed to help professionals determine whether PDF files are behaving as expected in graphic arts workflows. GWG is the international congress of graphic arts professionals established to create, test and disseminate best practices and specifications for publishing workflows. The Ghent PDF Workgroup (GWG) …
Shooting in ProRes or DNxHD has several benefits if you're working with Final Cut Pro X or Avid Media Composer. Of course you can always encode or transcode from a different codec to either of these in post-production, but that costs time — which may be valuable. There may be other reasons why you don't want to wait until post, as I found out. I spent three days experimenting with a GoPro HERO4, four encoding apps for the Mac, the Final Cut Pro X timeline and an Atomos Ninja Assassin. Thanks to the newest version of Telestream's Switch QC app, I came across some strange results that I didn't know about before, and which changed my views on post-production video encoding versus shooting straight to ProRes with a Ninja monitor/recorder.
It turns out the latest version of Dutch developed Hedge for Mac is the fastest video offload application on the market. The company ran some benchmarks and found their new Premium engine — which is not in the free version of the app — is as fast or almost as fast as the Finder. “We ran these benchmarks for our own internal use. We ran them as objective and unbiased as we possibly could,” said Paul Matthijs Lombert, CEO at The Sync Factory, the company behind Hedge for Mac. “We certainly added nothing to our tests that would put Hedge for Mac in any sort of a favourable position — far from it,” he added.
Why would EFI Reggiani have made a “spin-off” from their own textile presses specifically for signage? The answer lies in the many advantages of soft signage, the next big thing in printing to be seen.
Many firms use digital presses to cost-effectively meet the increasing demand for short runs, fast turnaround and value-added services, but there’s still a market for offset and long runs. However, few digital presses integrate into offset workflows efficiently or profitably. These hybrid workflows are therefore difficult to manage for efficiency and profitability. However, for a short while now, EFI and Agfa are delivering one of the most advanced hybrid print workflows available in the commercial market. It allows you to take advantage of the strengths of traditional offset and Fiery Driven digital presses.
With Atomos announcing their Flame series of video monitors/recorders at NAB 2016, HDR is the talk of the town. Most photographers, be it professional or amateur, will know what the acronym HDR stands for: high dynamic range. Dynamic range is defined as the ratio of the largest value of a signal to the lowest measurable value. The dynamic range of luminance in real-world scenes can be 100,000 : 1, while our computer screen or TV set is limited by technology to a ratio of 400 : 1 or even less. With HDR rendering, bright things can be really bright, dark things can be really dark, and details can be seen in both.
The Landa S10P Nanographic Printing Press with perfector is aimed at printers concentrating on two-sided general commercial printing, including advertising pieces, catalogue production, direct mail and high-end magazines. Enabling just-in-time mainstream efficiency, the B1 format Landa S10P press prints on off-the-shelf substrates at speeds of up to 13,000 sheets/hour. It comes with a brand new DFE developed by EFI.
It’s been a while since EditReady was first released. Since then I’ve only used Squeeze and Episode. I have them on my machine and they’re industrial workhorses so why would I choose something else? Speed could be a significant factor and quality of output of course. I decided to try them all with a GoPro HERO4 UHD clip and the results sort of surprised me.